162 results where found for «What Will the Holy Father Say»


The Prisoner of Til Til (El cautivo de Til Til)

Music piece by:
Patricio Manns
Testimony by:
Fernando Aravena
Experience in:
« The political prisoners organised mateadas once or twice a week, during which we did poetry and sang songs, amongst them ‘El cautivo de Til Til’ by Patricio Manns, ‘Samba Landó’ and ‘Vuelvo’ by Inti-Illimani, ‘Valparaíso’ by Osvaldo ‘Gitano’ Rodríguez, and songs by Eduardo ‘Gato’ Alquinta and Silvio Rodríguez. »
[...]
« They say his name is Manuel »
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We Shall Overcome

Music piece by:
Attributed to Charles Albert Tindley
Testimony by:
Alfonso Padilla Silva
Experience in:
« When the concentration camp that operated for nearly five months at the Regional Stadium of Concepción was closed in early February 1974, hundreds of political prisoners were transferred to the Concepción Prison, a wing of which was turned into a concentration camp. »
[...]
« As for the common prisoners, there were about 500 of them, and, needless to say, they were held in other parts of the complex. »
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The Little Cigarette (El cigarrito)

Music piece by:
Víctor Jara
Testimony by:
Alfonso Padilla Silva
Experience in:
« During Christmas 1973, I was one of some 600 men and 100 women prisoners in Concepción Regional Stadium. »
[...]
« The experience of prisoners in many concentration camps and jails throughout the country shows that engaging in cultural and artistic activity - whether it be creating and performing theatre, writing poems and stories, as well as essays, and producing crafts or music - was of vital importance in strengthening our personal and collective moral, an attitude of resistance and the sense of unity among political prisoners. »
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Amalia Rosa

Music piece by:
Tino Carrasco
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, November 1973 - February 1974
« Los de Chacabuco, a band founded and conducted by Ángel Parra, performed this Venezuelan folk song, in the style of a joropo, singing it at the weekly prison camp show. I dare say it was one of the favourite songs of the audience, comprised of political prisoners. »
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You Hear It Far Away (Se escucha muy lejos)

Music piece by:
Collective creation
Testimony by:
Ignacio Puelma
Experience in:
« The sound of the sea was carried over the cabins of the Ritoque Prison Camp by the wind. It was the daily music given to us as a gift by the ocean. »
[...]
« Not meaning to equate us to them, I would say that our song was closer to the vanguard represented by bands such as Los Blops or Los Jaivas. »
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Zamba of my Hope (Zamba de mi esperanza)

Music piece by:
Luis H. Profili
Testimony by:
Edgardo Carabantes Olivares
« Horacio Carabantes Olivares, my brother, was locked up in January 1975 at the Maipo regiment of Valparaíso, with a large group of male and female prisoners, all arrested by the DINA. »
[...]
« One day an officer approached the group and asked, in a confrontational tone, who could sing. Horacio, who had sung with a gorgeous voice since childhood, replied saying: I can sing. »
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Neither Fish nor Fowl (Ni chicha ni limoná)

Music piece by:
Víctor Jara
Testimony by:
Joaquín Vallejos
Experience in:
« I was arrested at home together with a childhood friend who they’d gone to pick up first. My family thought he’d stitched me up, which was not true. »
[...]
« There I could hear the women held in the cell in front of ours (they were almost certainly much worse off than we were), singing a song that has stuck in my mind ever since. It was the one that says 'Usted no es ná, no es chicha ni limoná' (You’re nothing, you're neither fish nor fowl). This example of fortitude and commitment helped me to get back on my feet, forget the physical pain and try to help those comrades who were worse off than me. »
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Three White Lilies (Tres blancos lirios)

Music piece by:
Unknown composer. This song probably relates to European early-years pedagogy.
Testimony by:
Domingo Lizama
Experience in:
« They arrested me at my workplace in October 1973 . I was 31 years old and worked as a porter at a logging business in Chumpullo, near Valdivia. »
[...]
« I would come up with religious songs. They would say: 'this guy with his past as a priest, he should stop this silly stuff'. »
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The Wall (La muralla)

Music piece by:
Nicolás Guillén (lyrics) and Quilapayún (music)
Testimony by:
Domingo Lizama
« In prison, there was a guy who played the guitar. He cheered up the afternoons in the cell. We all sang with him. »
[...]
« When I listen to 'La Muralla' ('The Wall'), I remember an old Spaniard who was a prisoner with us. He was 70-something years old. Because there were no showers, he would wash with cold water in the sink, and he would say 'I want to die in prison so the stigma of my death falls upon these dogs'. That was the beginning of a campaign that the prisoners ran to have a shower cabin installed. »
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St John Passion (Pasión según San Juan)

Music piece by:
Ángel Parra
Testimony by:
Luis Cifuentes Seves
Experience in:
Campamento de Prisioneros Chacabuco, January - February 1974
« This song is the third track on the cassette recorded in the Chacabuco concentration camp by the band Los de Chacabuco, formed by Ángel Parra and conducted by him until his release. »
[...]
« One lasting memory about this song is the emotion with which it was received by our fellow prisoner, congressman Vicente Sota. He was a deeply religious man. He would come and hug us repeatedly, saying 'how beautiful, brother', a phrase that I’ve never forgotten. »
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